Presentations and Authors


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Papers

A State Between PDF
Jo Scott
Technologizing the Words of Dancers: using Ong to examine IntuiTweet PDF
Dr Deveril
Skype, code and shouting: a digitally mediated drama Performed in Egypt and Scotland. PDF
Eleanor Dare, Shabina Aslam
Architecting the audio-visual for modulating rather than obfuscating the sonic experience PDF
adriana sa
An Ode to Paraphernalia PDF
Nancy Mauro-Flude
Kinect Performance Interface PDF
Jon P Bellona
On the potential for vibrotactile technology to facilitate interactive performance for musicians with a hearing impairment PDF
Carl Hopkins, Jane Ginsborg, Saul Mate-Cid, Robert Fulford, Gary Seiffert
Performer Presence: ‘Sensing Bodies’ in digital dance performance. PDF
Kerry Francksen
Conversational Interaction in Live Dance Works PDF
Andrew Johnston
Errors, glitches and other mistakes in the life of an unredeemed technology lover PDF
Georg Hobmeier, Juan Gabriel Alzate Romero
The Frequencer: Frequency domain patterns for live improvisatory performance PDF
Robert Hamilton Tubb
A gesturally controlled improvisation system for piano PDF
Nicholas Gillian, Sarah Nicolls
Composition as a performative gesture : using the cellular automaton “Game of Life” PDF
Vincent Goudard, Hugues Genevois, Boris Doval
Visualization of Network Based Multi-user Instruments PDF
Curtis McKinney, Chad McKinney
Sensitive Chaos PDF
David Strang
Liveness in Network Music Performance PDF
Chad McKinney, Nick Collins
Cuisine: an interactive and alternative live art performance of the act of cooking and serving some cheese soufflés on stage PDF
Christophe Alix
Biosignals in Expressive Musical Performance PDF
Atau Tanaka
Sticks
simon blackmore

Posters

Hacking the Body PDF
Camille Carol Baker, Kate Sicchio
Humanising Technology: Interacting with sonic material using haptic gestural controllers PDF
Konstantinos Vasilakos
The Kinect sensor as human-machine-interface in audio-visual art projects PDF
Matthias Kronlachner
An investigation into the perception and learning of relative pitch in the vibrotactile mode PDF
Saul Mate-Cid, Robert Fulford, Carl Hopkis, Gary Seiffert, Jane Ginsborg
A Minimal Tangible Interface for Live Hardware Coding PDF
Yorgos Diapoulis, Iannis Zannos
Interactive Evolution: An Interface for Generative Music and Visuals PDF
Matt Benatan
GO - An Interface for Improvised SOund and Light PDF
Eva Sjuve
Stirring up Pea Stew: A networked feedback structure for live coding PDF
Scott Wilson, Norah Lorway, Tim Moyers, Rosalyn Coull, Visa Kuoppala
A SURVEY OF MUSICIANS' ATTITUDES TO INTERACTION, CONTROL AND LIVE SOUND PDF
Doon MacDonald, Tony Stockman
REAL-TIME AUDIENCE OBSERVATION THAT FACILITATES EFFECTIVE PERFORMER REACTION PDF
Leon McCarthy
Multitouch Music: Exploring the Use of iOS Touch Screen Gestures as Controls for Digital Synthesisers PDF
Michael John Dilmore
THREE-DIMENSIONAL GESTURAL CONTROLLER BASED ON EYECON MOTION CAPTURE SYSTEM PDF
Bertrand MERLIER
Gestural control and interactions in percussion performance
Kia Ng, Paul Halpin, Joanne Armitage, Phoebe Bakanas
Ensemble Play: Modeling Expressive Digital Musical Instrument Interaction in the Bent Leather Band
Stuart Raphael Favilla

Performances

de/Rastra
Kyle Ellis Evans
An Dearcadh
Una Monaghan
Running Expressions
Jon P Bellona
sib Conduit
neal paul spowage, Danai Pappa
sparsematrix
Alo Allik
‘it’s almost a song...’
Kiyoshi Furukawa, Tomasz Rutkowski, Takayuki Hamano, Hiroko Terasawa
Two Tales
Girilal Baars
Teka-Mori for tribal-fusion belly dancer, RAKS (Remote electroAcoustic Kinesthetic Sensing) system, and computer-generated sound
Steven Kemper, Aurie Hsu
Fluxus Tree
Richard Hoadley
BEER (Birmingham Ensemble for Electroacoustic Research)
Scott Wilson
Ensemble Play
Stuart Raphael Favilla
Urbicolous Disport
Andrew Dolphin, Kingsley Ash
Pulse Project Performance
Michelle Lewis-King
Simulacra 1
Curtis McKinney, Chad McKinney
Livecell
Nikos Stavropoulos, Kingsley Ash
Music for Flesh II
Marco Donnarumma
The Intimacy of the Commandline
Nancy Mauro-Flude